22:39 Rohini: hello! hellO!
22:42 me: hi
22:43 Rohini: I am thinking about our future big photoshoots on Spaces and i don’t think we will get to do anything amazing with the budget but i really want to do a big lighting shoot…
That’s how Rohini and I ended up photographing in the debris of deepest Camberwell in the middle of the night waiting for the breakdown service to come and rescue us. Our IM transcripts and the finished images provide some revealing insights into the creative process.
22:45 me: Lights in the studio are mostly terrible, very hard work for not much return. How about lighting outside in the street or something?
22:46 Rohini: That’s exactly what i meant, and now that it is getting dark early i think it would be really worth doing in these months, kind of twilighty
ideally i’d like to do it in an urban street where all the lights are like streetlights, like down a road with a brick wall or down an alley
22:48 me: sure — sorry am a bit zapped — trying to find library shot for another magazine cover & listening to some wicked Danish band
me: ok, headphones off
Rohini: no worries, it was just a whim
22:51 me: doing stuff around London would be fab if we can do it well without being arrested.
22:52 Rohini: yeah i know — i would love to — but how did u light lights in the woods at Westerham?
22:54 me: We used a car and an electronic inverter that converts the battery into mains voltage.
me: the other choice was to replace all the bulbs with low voltage bulbs, but that was just plain fiddly.
Rohini: i will start planning, but it’s more about location isn’t it?
22:55 me: yeah — I envision hanging things off the exterior balconies of the Royal Festival Hall etc
22:56 me: only need one shot rohini, just fling it over the parapet & shoot!
22:57 Rohini: maybe we should make that our aim — just to do it in really great locations then leg it
22:58 me: maybe dress like art students
Rohini: ok what are the easiest places to do it?
23:00 I really want to do one down a London alleyway so u can see floor lamp after floor lamp in a row — as though growing out of the ground
23:01 me: London backgrounds at dusk: the Thames, blocks of flats in Peckham, Brick Lane area or Whitechapel…
me: would like to make it VERY london if poss
Rohini: yeah ok
23:08 suggest we start very soon and do it over several sessions, one light per shot, one page per shot
23:09 Rohini: ok — i am free most mondays and tuesdays, we can start week after current shoot, but we really need to plan
23:12 me: only need a good car battery & a little wheelie shopping trolley
23:17 if we went to Paris or Rome, how would we do it?
Rohini: how would we go there? or how would we do it?
23:18 me: well, just thinking to do London the way we would do a foreign city (always different approach when you go away)
23:19 but now you mention it… might have a look at Ryanair!
Rohini: ur a loon! — right i am going to research cool lights this week — u think of do-able locations, okay?
23:21 me: seriously, if we save £400 on a studio, that pays for a Ryanair special + accom. Course, there’s the products…
me: have to work on that one
23:24 Rohini: will see u on Tues with some ideas for light shoot — we are starting next Mon. We must do a summery shoot soon
23:28 me: yeah — fed up with dark shoots, want some brightness
Rohini: just this last one…
How To: I used a 500W power inverter from Amazon connected to Rohini’s car battery and a long mains extension to reach the lighting. It converts the 12V battery to mains voltage. To balance the exposures, the light was toggled off before the frame had fully exposed. I also shot the scene with the light off in case I needed to composite the two shots in Photoshop. The camera was a Nikon DSLR, on a lightweight tripod, set to manual. In order to preserve the original ambiance, no additional lighting was used. In the end, we didn’t get arrested; we didn’t even meet any parking wardens.